![]() During its 18-minute run time, "Awakening from the Dream of Existence to the Multidimensional Nature of Our Reality (Mirror of the Soul)," stargates through spiraling death, majestic doom, breakneck thrash, foreboding drone and even closes with a folkloric spin on one of its many melodic themes. It sets the tone for what might be one of the most intricate, thrilling pieces of metal released this decade. a moment to recollect your thoughts before being thrust into astral doom.Ĭrawling slowly and ominously, like a camera across the USCSS Nostromo, "Inner Paths (to Outer Space)" leans most deeply into Blood Incantation's brutal psychedelia, featuring a "guest bluurgh" from Demilich space-burper Antti Boman himself. It all happens over 13 seconds, but you just kind of walk around staggering after a moment like that, wondering what the hell happened as Blood Incantation descends into a heady Middle Eastern melody. Drummer Isaac Faulk corrals the nasty star-stuff, swirling without order, with a booming drum fill and the riff - renewed, revived, respawned - becomes an interdimensional beast capable of eating worlds. There's a moment, starting around 1:27, when after a chaos-wielding guitar solo, the spine-bending riff returns propelled by a knowing chug. On "The Giza Power Plant," guitarists Paul Reidl and Morris Kolontyrsky swap quick-fingered Morbid Angel riffs with a touch of psychedelics. ![]() A 16:9 display may be better for watching movies, but 16:10 is better for everything else.NPR Music Playlists Follow Viking's Choice On Spotify And Apple Music A 16:10 display feels roomier for the simple fact that it is. There's a reason the 16:10 aspect ratio is so popular among laptops. Microsoft Word, for instance, with its fat menu bar running across the top doesn't leave as much room as you might like to read the actual document without constantly scrolling. The 15.6-inch, widescreen 16:9 display looks outdated and cramped when you are scrolling through a long document or web page. No loud, clacky keys or touchpad clicks to be heard. Both the keys and touchpad click offer the perfect amount of travel and are quiet when engaged. I was immediately comfortable typing on the Envy x360 15. They offer snappy feedback and a pleasant typing experience. The keys themselves are widely spaced, firm and flat. The keyboard deck provides a solid foundation on which to type. The aluminum chassis offers a firm feel with little to no flex - even on the lid protecting the display. One last note on the Envy x360 15 as a tablet: A pen is not included. It's also too heavy to hold with one hand and tap, swipe or sketch with the other hand. The Envy x360 15 looks comically tall and narrow when held in portrait mode as a tablet. A smaller, lighter two-in-one also has a more natural feel in tablet mode. The 3-pound Lenovo Yoga 7i makes a better option for daily commutes with its 14-inch, 16:10 display. The Envy x360 15 won't look out of place in the boardroom or executive suite and also offers a contrast to the common sight of silver aluminum laptops in coffee shops and shared workspaces.Īt 4.2 pounds (1.9 kilograms), the Envy x360 15 feels heavier than it should, likely a result of the extra layers needed for the touch display found on all two-in-ones. The matte-black finish has a hint of brown to it and lends a luxurious look similar to that of the Spectre x360 16 - minus the gem-cut edges, gold accents and ports located in the back corners. The Envy x360 15 features an all-metal chassis in what HP calls Nightfall Black.
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